A white Southern police chief and a black detective put aside racial animosity to solve crimes in a Mississippi hamlet. This tense drama was inspired by the Oscar-winning 1967 film, which was based on John Ball's 1965 novel.

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Despite the occasional health-related absences of star Carroll O'Connor (Joe Don Baker and Carl Weathers each briefly filled the c (more) A white Southern police chief and a black detective put aside racial animosity to solve crimes in a Mississippi hamlet. This tense drama was inspired by the Oscar-winning 1967 film, which was based on John Ball's 1965 novel. Despite the occasional health-related absences of star Carroll O'Connor (Joe Don Baker and Carl Weathers each briefly filled the chief's chair), the series had a hearty run, premiering on NBC in 1988 before moving to CBS in 1992 for its last two seasons.

Though most will forever remember O'Conner for his Emmy-winning turn as 'Archie Bunker' in the classic 'All in the Family,' his last television role on the long-running 'In the Heat of the Night' was still equally as memorable. Inspired by the Oscar-winning film, starring Rod Steiger and Sidney Poitier, the show dealt with the police force of the mythical town of Sparta, Missisippi, headed by Chief Bill Gillespie with transplanted Philedelphian Virgil Tibbs, new and black to a force that was unprepared for such a high-ranking black. Though the first couple of episodes dealt with the adjustments that had to made with the new man on the force, the racial tension in the department was soon eliminated as both The Chief and Tibbs, along with other policemen (the superb Alan Artry as 'Bubba,' David Hart as the down-home, tea-drinking 'Parker,' Geoffrey Horne' and Hugh O'Conner as the young cops, 'Sweet' and 'Lonnie Jameson,' respectively) came to respect and trust each other. Many of the shows dealt with timely topics as A.I.D.S., spousal abuse, rape, and corrupt politicians. One of the series' most powerful episodes is 'A Trip Upstate,' wherein Chief Gillespie is asked to attend the execution of a criminal (guest star Paul Benjamin) that he caught years before. The riveting execution is quite detailed and the dialog-less performances by O'Conner and Benjamin are Emmy-worthy.

The eye contact between the two actors is unbelievably intense. Whether one is pro or con on the topic of capital punishment, this particular installment should have some effect, one way or the other. Thrasher Magazine Font more.